New Interview!

ASHLEY HOFFMAN: In the new season of Masters of Sexafter the five-year midseason time jump, we meet you for the first time as Virginia Johnson's rebellious daughter Tessa. In your view, what is Tessa fighting for?

ISABELLE FUHRMAN: As a teenager you want independence. What's different about Tessa is she's constantly been away from her mom. In Season Two, Lizzy [Caplan] gives up the kids basically, and I think it's because of that lack of nurturing from her mother that Tessa's sense of rebellion doesn't just come for a want for independence from her mother, but more from a need to be noticed, and that's why she acts out. She wants her mom to pay attention to her, but her mom is always busy doing her job.

HOFFMAN: It's a very honest approach to the relationship. It's almost like your character is intimidating to her mom. What have you discovered about the power dynamic through working with Lizzy?

FUHRMAN: Tessa knows what buttons to push, and knows that her mom does feel bad that she has to work all the time and can't be around her and there are lot of things going on in her life that she can't admit to Tessa. Tessa knows how to use that in all of the arguments. Lizzy and I were laughing because the other day, we were filming and we had a very nice moment, the two of us. Normally my character gets the last word and leaves. But we had a scene the other day that was spurred by my character asking [Virginia] how her day was, which is not something that's ever come out of Tessa's mouth. It's more about trying to get her to pay attention to Tessa in other ways that aren't necessarily good. It was cool to explore that relationship because it was the first time that we got to look at each other and have a feeling of love for each other, which was really important to show.

HOFFMAN: That's lucky. What do you and your fictional mom bond over?

FUHRMAN: Lizzy's great. We talk about reality shows and shoes and clothes and technology when we're in our makeup trailer getting our hair and makeup done. It's the '60s, so that takes a long time. It's funny, one of the makeup artists Lana, she watches The Bachelorette and so do I and so does Michael [Sheen] apparently.

HOFFMAN: Does he really?

FUHRMAN: I know, I was so shocked too. So we all talk aboutThe Bachelorette, and Lizzy kind of comments from time to time. She's just a very real person and so friendly. I watchedMean Girls when I was young, so it was cool to be able to meet her, and she's such a great comedic actor and really fantastic actress to work alongside. I'm so happy that I could do this with her. She's part of the reason why I ended up deciding to take the part. When I originally met with [creator] Michelle Ashford, it was supposed to just be us, and Lizzy decided to come to my meeting along with Amy Lippman, who is one of the writers and producers. We sat down and Lizzy was singing the praises of all the people on Masters of Sex. We really do have a very strong group of women. That was one of the main reasons that I decided to do it. I really loved talking to Lizzy, and I could so see us feeding off of each other and making something really great out of our relationship.

HOFFMAN: What's an example of changes you make to your scenes together?

FUHRMAN: Sometimes there's a minor line change or Lizzy and I read through a scene and something just doesn't feel right, and a movement needs to be moved. When I worked on the third episode, I worked with Miguel Sapochnik [a director] from Game of Thrones. I was still getting to know Tessa, and he helped me a lot. Like, let's have her be more outgoing when people are shy, and let's have her pull back more when people are more forward with her. I think that was great to learn because throughout the rest of the show, I've been putting that into scenes.

HOFFMAN: This show has a ton of secrets and bottled up emotions. I feel like your role as a teenager is so critical because Tessa disrupts all of that. What do you see as Tessa's purpose in terms of the big picture?

FUHRMAN: I think right now she's meant to give Virginia a wake up call. [Virginia] has put work first, and she will probably continue to do so, but I have a feeling there will be a point at which the two of them will figure it out or don't figure it out, and I think it will be interesting to see which way they decide to take it. As of right now, there's a lot of friction. Having a mom in the '60s write a book about sex makes kids treat you differently, and they've explored that with Tessa's relationships with boys. She doesn't really have a mom she can go to and talk to about those sorts of things. I'm hoping that they will connect.

HOFFMANN: Like what you have.

FUHRMAN: Yeah, like something that I have. Being able to play her is almost easier because I know what it's like to have a great relationship with my mom, and I know how hard it would if you wanted that sort of attention. She has a great relationship with Libby [Masters, Bill Masters' wife] because she almost wishes she could be a part of Libby's family. Libby is such a homemaker and is constantly taking care of her kids and making sure everything is great in the Masters home. At the same time, Tessa loves her mom, but she can't get past the fact that her mom's not there for her. Virginia's dedicated to her work, but she's also staying so late [because of] her affair with Bill. That is a very difficult thing to go through with your mom—to know that that's going on and not be able to talk to her about it or confront her about it because of her fear for what might happen. There's an anger—a disgust.

HOFFMAN: Is doing this role crossing some kind of threshold for you in your career?

FUHRMAN: It is. [With TV] I've always felt like, "Oh, I'll do this part and I'll get bored." I really loved Tessa when I read the first episode, and I was so worried that I would be bored, but we're on Episode Eight, and every single time I get a new script, I'm always like, "Oh! That's so that's cool!" I constantly get these little gold nuggets and gold pieces about Tessa that I can add to my box of notes about her from each episode—just these little details that other people say and things that she said.

HOFFMAN: You have an actual box of ideas?

FUHRMAN: It's an actual box. It's one of the index boxes that I used to put flashcards for the SAT and ACT in.

HOFFMAN: And now it's filled with stuff about a sex study show.

FUHRMAN: Yup! My friends' parents say, "What are you doing this summer?" And I say, "I'm working on Masters of Sex," and then there's a long silence..."It's a television show on Showtime." "Ohhh." There are some people who are fans and are really excited, but the name gives off a sort of vibe that not everyone is quite so into.

HOFFMAN: When your character kisses Bill Masters—that pivotal moment after she's been secretly drinking—she pulls off her top and forces herself on him, and it sets so much in motion. Of course his son sees, and then, they both collide. What was it like doing that scene?

FUHRMAN: That was a scene I was really nervous for because I've never had to do something like that. I've had to kiss people on camera, but to be vulnerable with your top opened up, it's a very different situation to be in. I had just signed onto the show. It was one of our last days of filming the first episode. I kept reassuring myself that these are real people; Tessa's drunk and she's a mess, and that's how people act sometimes when they're a mess. She knows that she's got some power over people. Michael was so, so great. We rehearsed it and we did the kiss and it was a closed set and everyone was super respectful. The minute they called cut, Michael threw a towel over me every single time, which was so nice. When we were done, it was like, "Whoa, I did that!' It was almost liberating.

HOFFMAN: You mentioned moments of "magic" when you collaborate with other people. What's an example?

FUHRMAN: When I was doing Orphan, and I was 10, I had a scene with Vera [Farmiga] where I was reading her diary, and they ended up cutting it because it showed too much of the story. I was ready to do it for a while, and take after take, it ended up hitting this plateau and not really going anywhere.  It was frustrating for all of us. And I remember Vera pushed me in the scene. She pushed me down into the chair that I was sitting in when I stood up. It completely changed the energy of everything. We started over, and the scene was amazing, and we were crying and fighting, and that was like magic to me. I felt like I wasn't even there; the scene turned out really great because we both were in that moment.

HOFFMAN: What parts didn't happen for you?

FUHRMAN: There are so many. I think every single young actress went out for Shailene Woodley's part in Fault in Our Stars. I met with Josh [Boone, the director] and I had are really great conversation with him. I thought it went well and sometimes you just don't click. Paper Towns was another example, and Hunger Games was another one. You have to learn to be excited for the next person that gets it. The first time that ever happened was The Way Back that Peter Weir directed. I love him. I would do a commercial of his. I went out to audition for it and met Peter. I went in a bunch of times and everyone on my team was telling me, "You're going to get the part!" And they cast Saoirse Ronan, who I think is amazing. I love her. I was so bummed that I didn't get it, but we have completely different energies as people and that's all I can really pinpoint, because I know I did a good job or else they wouldn't have had me come in so many times. If they don't like you, they just don't have you come back. It's likeThe Bachelorette—they've got a lot of options. You could be the one, but you never know.

Masters of Sex's spot

Isabelle appears at the first promo of Master and at a Behind the Scenes video. You can find screencaps from the spot here and from the Behind the Scenes video here.

Also, there is a rumour of Isabelle Fuhrman being topless at the premiere, but not showing anything. Source: x

Remember the first episode will be on 12, July. Screencaps won't be able to be uploaded until 13 or 14, it depends on when we find the higher quality version.

ColourPop event and Nylon's photoshoot

Do you remember "Fetch Please"? That's the makeup she's wearing in the pics. At the left we have the Nylon photoshoot, whose photos can be found at the gallery and at the right it's the lastest event of Isabelle, at the ColourPop Birthday Party. There was a camara to take funny photos and we have included those photos in "Photoshoots" folder, but the photos from the HQ photos from the appearance can be found in "Public Appeareance".

Also, there are lots of Behind the photoshoot photos because the makeup artist, Tina Turnbow, is really active at instagram.

Isabelle Fuhrman Joins ‘Masters Of Sex’

She is all grown up! As Masters of Sex fast forwards another half-decade to 1966 in Season 3, the Showtime drama has cast Isabelle Fuhrman in a major recurring role as Virginia Johnson’s daughter Tessa.

Set in 1966, Season 3 of Masters of Sex finds the famed duo of William Masters (Michael Sheen) and Johnson (Lizzy Caplan) dealing with the glare of the national spotlight as their sex study is finally unveiled. It’s the start of the Sexual Revolution — and Masters and Johnson’s work will have a profound impact on contemporary relationships, especially their own evolving three-way “marriage” with Masters’ wife Libby (Caitlin FitzGerald).

Fuhrman takes over the role of Tessa from child actress Kayla Madison who played the girl for the first two seasons. Season 3 premieres July 12.

Fuhrman, best known for her starring role as Esther in Orphan and for playing Clove in The Hunger Games, will next be seen in Cell opposite John Cusack and Samuel L. Jackson. She is repped by CAA and Management 360.

It started been recording at LA yesterday, but Isabelle doesn't appear in any of the photos.

New 'Nylon' Interview

What’s the meaning behind the title “Fetch Please”?
 "When I was little, pre-Mean Girls, I started to call my sister Fetch or Fetchy. It’s still is a nickname we have for each other. My sister used to not be the best at doing her makeup and because this box is something that can be a one-stop-shop it was almost like 'Fetch, Please do your makeup well!' It’s sort of a joke but it’s pretty catchy too."

Where did you derive your inspiration for the collection?
"A lot of my inspiration for Squint came from the makeup from Cara Delevinge's i-D magazine cover. My inspiration for Liason came from her Style.com mag cover. Those two colors are mainly for a really bold, different kind of cat-eye and they are super-pigmented so they will last all day. Lovey Dovey and Hunger were colors that I always thought would go together. I had been looking for a matte maroon and matte grey like that but I couldn’t find the right shade from other companies so I just made with the team at Colourpop. Just a Sip is based off of the peach eye color from Louis Vuitton’s Spring 2012 collection makeup. I loved the color and Colourpop helped me make it! It’s a good daily color that is very feminine. Squeeze, Precious, and Paramour were colors that I feel everyone needs in their makeup bag. A good pink, a great nude, and a super-bold berry color."

This collection is such a personal expression of you. What were you hoping to share with the girl who wears this makeup?
"Well, I love to play around with makeup and try new things. I think that this box is for a very confident woman who isn’t afraid to stand out and have people check out their makeup on the street. The colors are very different and the combinations are endless. It really is a kit that will be able to travel with you everywhere from a fancy dinner to a fun weekend at Coachella."

Do you have some go-to skin-care products that help keep your skin looking gorgeous?
 I wash my face every morning I apply Lancer's Sheer Fluid Sun Shield SPF to my face. Then at night I wash my face with a gentle cleanser from Jurlique and then I use Caudalie Vinosource moisturizer. Whenever I go to Atlanta I see the Kathleen Denney for a facial. She’s AMAZING! And she turned me onto these amazing masks from Gunilla of Sweden—Lerosett and Akta that I use once in a while to keep my skin clear and healthy. 

Who are your style and beauty icons and influences?
 "My mom. She is so stylish and beautiful inside and out. She has taught me so much and I am so grateful to everything she does for me. My sister too. The two of them are my best friends."

What are you up to right now? I hear it involves many piercings...."
(laughs) I’m working on a film called Hellbent and my character goes through a big transformation. I have a lot of piercings in the movie! Pretty cool for my character, Danni, but It’s weird for me to look in the mirror and see them! So different from me, it’s awesome."

Besides your sister Madeline's great music, what are you listening to these days?
 "I listen to Madeline’s music A LOT! Her songs just get better and better, I can’t wait for the world to hear them. I listen to a lot of Ed Sheeran, Ben Howard, Grimes,  and Coeur De Pirate. I’ve really gotten into classical lately too. I listen to anything that makes me feel something."

What’s on the horizon for you? "Fetch Please part 2" or a film we can see you in soon?
"Maybe! I had such a great time working on Fetch Please with Colourpop. I’d love to do it again. I have a movie called Cell coming out soon and I just wrapped a romance film called One Night. I also graduate in June."

New 'All The Wilderness' Clip

Yesterday we got a new clip from Isabelle's movie 'All The Wilderness'! We also added screencaps from the clip to the gallery.

New Movie!

Today it was announced that Isabelle will star in the movie "Hellbent". Filming will start this week in Mexico.
Martin Henderson, Kimberly Elise and Johnathon Schaech are also starring. Tjardus Greidanus is directing from his own script.

Isabelle portrays a teenage runaway who enlists a fugitive drifter to take her on a cross-country journey to meet the father she’s never known.

The film is produced by Azim Bolkiah, Rhian Williams and Jo Podmore, who all produced “You’re Not You,” along with Laura Davis and Trish Hofmann (“Get on Up”).

New "The Cell" image & informations

Today the Clarius Entertainment has announced that they have acquired the U.S. rights to Isabelle's movie "The Cell", based on Stephen King's best-selling novel (he also adapted the screenplay). International Film Trust is handling foreign rights, currently on the market at EFM.

“CELL is an exciting addition to our slate, with solid pedigree both in front of and behind the camera and a wild ride of a story for our cell phone-dependent culture,” said Louise Chater, Clarius’ acquisition head. “Our team is very much looking forward to working with these filmmakers and bringing the film into the US marketplace.”

Synopsis for the film: When a powerful signal is broadcast across mobile networks worldwide, cell phone users’ minds are instantly and dangerously re-programmed. Heading north through New England in search of his wife and son, Clay Riddell (Cusack) is joined by a group of survivors hoping to fend off the bloodthirsty and hyper-connected “phoners.”

Isabelle plays Alice, a girl who joins the group of survivors after Clay Riddell saved her life.

"The Cell" is produced by Michael Benaroya, Richard Saperstein, Brian Witten and Shara Kay. John Cusack, Paddy Cullen, Edward Mokhtarian, Armen Aghaeian, Xavier Gens, Laurence Freed, Stephen Hays, Peter Graham, Ben Sachs, Tyler Hawes, Brian Pope, Geno Tazioli, Marina Grasic and Jan Korbelin are executive producers and Mark Leyner, Ben Insler and James Lejsek are co-producers.

You can find the new image in our gallery.

Spanish translation

Hoy Clarius Entertainment ha anunciado que han adquirido los derechos estadounidenses de la película "The Cell", basada en el best seller de Stephen King, que es quien ha adaptado el guion. International Film Trust tiene en sus manos los derechos extranjeros, ahora mismo en el mercado de EFM.

“CELL es una adición emocionante a nuestra lista, con un sólido pedigrí tanto delante como por detrás de las cámaras y un viaje salvaje acerca de nuestra dependencia al teléfono móvil", dijo Louise Chater, la cabeza de la adquisición de Clarius. “Nuestro equipo está esperando con ansias trabajar con estos cineastas y traer esta película al mercado estadounidense."

Resumen de la película: Cuando una señal poderosa se emite a través de los sistemas telefónicos por todo el mundo, las mentes de las personas que usan los teléfonos son inmediatamente y peligrosamente reprogramadas. Rumbo al norte a través de Nueva Inglaterra en busca de su esposa y su hijo, Clay Riddell (Cusack) se unirá a un grupo de supervivientes esperando esquivar los super-conectados "phoners", que están deseosos de sangre.

Isabelle interpreta a Alice, una chica que se une a un grupo de supervivientes después de que Clay Riddel le salve la vida.

"The Cell" está producida por Michael Benaroya, Richard Saperstein, Brian Witten y Shara Kay. John Cusack, Paddy Cullen, Edward Mokhtarian, Armen Aghaeian, Xavier Gens, Laurence Freed, Stephen Hays, Peter Graham, Ben Sachs, Tyler Hawes, Brian Pope, Geno Tazioli, Marina Grasic y Jan Korbelin son productores ejecutivos y Mark Leyner, Ben Insler y James Lejsek son co-productores.

Podéis ver la nueva imagen en nuestra galería.

First 'All The Wilderness' Trailer

Today we got the very first trailer of 'All The Wilderness'. We also added screencaps from the trailer to the gallery. The release date is February 20, 2015.

Hoy hemos podido ver el primer trailer de "All The Wilderness". Por lo que hemos añadido capturas de pantalla de alta calidad a la galería. La fecha del estreno es el 20 de febrero de 2015.

Heute haben wir den ersten Trailer von 'All The Wilderness' bekommen. Wir haben schon Screencaps zu der Gallery hinzugefügt. Der Erscheinungstermin ist am 20. Februar 2015.

New appearances!

This week we got two new appearances: first Isabelle attended Lynn Hirschberg celebrates W's It Girls with Piaget and Dom Perignon held at A.O.C on January 10 in Los Angeles. We uploaded HQ photos to the gallery.
The next day Isabelle attended on the Golden Globes After Party. We also uploaded a couple of pics to the gallery.

Esta semana, tuvimos dos nuevas apariciones públicas: la primera Isabelle asistió a la celebración de Lynn Hirschberg de W's It Girls con Piaget y Dom Perignon llevando A.O.C. el 10 de enero en Los Ángeles. Subimos fotos de alta calidad a la galería.
El día siguiente, Isabelle asistió a la fiesta de después de los Golden Globes. También hemos subido unas cuantas fotos a la galería.

In dieser Woche haben wir zwei neue Events, auf den Isabelle erschienen ist, bekommen: einmal erschien Isabelle auf einen Event von Lynn Hirschberg am 10. Januar. Am nächsten Tag ging Isabelle auf die Golden Globes After Party. Wir haben je dazu Bilder in der Gallery hochgeladen.

A clip and a trailer of All the wilderness

We have waited so long, but it's finally here. In two days we will have the All the wilderness trailer and a clip. We still don't know if Isabelle's in the clip, but she tweeted about it. Also, it was confirmed by Glenn Howerton and the official page 

Hemos esperado mucho, pero finalmente está aquí. En dos días tendremos el trailer de "All the wilderness" y una escena. Todavía no sabemos si Isabelle aparece en ella, pero ha tweeteado sobre ello. También ha sido confirmado por Glenn Howerton y la página oficial.

Wir haben so lange gewartet, aber nun ist es endlich da. In zwei Tagen werden wir den 'All The Wilderness' Trailer und dazu noch einen Clip haben. Wir wissen nicht, ob Isabelle im Clip zu sehen ist, aber sie hat darüber getweetet. Es wurde auch von Glenn Howerton und der offiziellen Seite bestätigt.